Videoscene as a possibility of scenic time resignification and expansion
DOI:
https://doi.org/10.14738/assrj.57.4809Abstract
This work aims to discuss the notion of narrativity in dance from three pieces in which videoscenes were used as a resource for resignifying time perception in the scene. In each of them, the usage of video has a distinct function: in one of them, it represents memories of the main character; In another, it portrays the character's pregnancy; In the third, it has two distinct functions: at times it functions as a flashback and, at other times, to represent the hallucination of the character in a feverish state. From these experiences, the developed proposal is that the projection of a videoscene over the live-action scene helped, in these pieces, the design of dramaturgic dance scripts that favored the fusion of scene with life, bringing the story closer to a "real" chronology – which is called, in this work, of “time resignifying the scene”, as an expansion of the scenic time.
Downloads
Published
How to Cite
Issue
Section
License
Authors wishing to include figures, tables, or text passages that have already been published elsewhere are required to obtain permission from the copyright owner(s) for both the print and online format and to include evidence that such permission has been granted when submitting their papers. Any material received without such evidence will be assumed to originate from the authors.